[Script Info]
; Script generated by Aegisub 2.1.8
; http://www.aegisub.org/
Title: Default Aegisub file
ScriptType: v4.00+
WrapStyle: 0
ScaledBorderAndShadow: yes
Collisions: Normal
PlayResX: 1280
PlayResY: 720
YCbCr Matrix: TV.601
Video Zoom Percent: 1
Scroll Position: 152
Active Line: 158
Last Style Storage: Psycho-Pass
Audio URI: psycho13_bd720_premux.mkv
Video Aspect Ratio: 0
Video Position: 0
Video Zoom: 6

[V4+ Styles]
Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding
Style: Default,SigvarSerial-Medium,58,&H00FFFFFF,&H00000000,&H00211110,&HC8000000,0,0,0,0,102,100,0,0,1,2.2,0,2,90,90,40,1
Style: Psychotitle,DINk,50,&H00FFFFFF,&H000000FF,&H00000000,&H64000000,0,0,0,0,100,100,0,0,1,0,0,5,10,10,10,0
Style: lt,Swis721 Lt BT,50,&H00171717,&H000000FF,&H002D3136,&H00000000,0,0,0,0,100,100,0,0,1,0,0,5,10,10,10,1
Style: OP3,BlueNorma,45,&H00FFFFFF,&H000000FF,&H007CB921,&H19000000,0,0,0,0,120,100,0,0,1,0,1,8,140,140,18,1
Style: ED2,Mary Jane Meade,40,&H00768C26,&H000000FF,&H00FFFFFF,&H00000000,-1,0,0,0,100,100,0,0,1,1.6,2.8,8,40,40,20,1
Style: ED2top,Mary Jane Meade,40,&H00FFFFFF,&H000000FF,&H00798A32,&H00000000,-1,0,0,0,100,100,0,0,1,1.6,0,8,40,40,20,1
Style: insert,Narbonne,40,&HB4FFFFFF,&H000000FF,&H00240C10,&HB4D09179,0,0,0,0,115,100,0,0,1,1.5,4,7,50,50,22,1
Style: md,Swis721 Md BT,50,&H00171717,&H000000FF,&H002D3136,&H00000000,0,0,0,0,100,100,0,0,1,0,0,5,10,10,10,1

[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text

Dialogue: 0,0:00:51.57,0:00:52.09,OP3,,0000,0000,0000,,{   S   T  A   R   T   }
Dialogue: 2,0:00:54.78,0:00:57.81,OP3,,0000,0000,0000,,{\fad(600,1000)\blur0.8\c&HCEFF2B&\t(550,650,\c&H08B5C1&)}I would like to show
Dialogue: 2,0:00:57.45,0:00:59.62,OP3,,0000,0000,0000,,{\fad(600,1000)\blur0.8\pos(276,18)\c&H3F93E5&}Cut open my skull
Dialogue: 2,0:00:59.26,0:01:02.12,OP3,,0000,0000,0000,,{\fad(600,1000)\blur0.8\pos(980,18)\c&HC9FF40&\t(1550,1650,\c&HFF8481&)}Look into my head
Dialogue: 2,0:01:01.76,0:01:04.69,OP3,,0000,0000,0000,,{\fad(600,1000)\blur0.8\c&H7EDAEB&\t(1800,1900,\c&H5748D7&)}I don't know why I'm so harsh
Dialogue: 2,0:01:04.33,0:01:06.48,OP3,,0000,0000,0000,,{\fad(600,1000)\blur0.8\pos(270,18)\c&H554AD7&\t(980,1080,\c&HA4CB6F&)}I can't be so brash
Dialogue: 2,0:01:06.12,0:01:08.38,OP3,,0000,0000,0000,,{\fad(600,1000)\blur0.8\pos(980,18)}I'm going to crash
Dialogue: 2,0:01:08.02,0:01:11.73,OP3,,0000,0000,0000,,{\fad(600,1000)\blur0.8\c&HB0FF2C&}'Cause I feel
Dialogue: 3,0:01:11.37,0:01:18.66,OP3,,0000,0000,0000,,{\fad(600,1000)\blur0.8\c&HD5CB58&}I can always show my everything to you
Dialogue: 2,0:01:18.30,0:01:22.48,OP3,,0000,0000,0000,,{\fad(600,1000)\blur0.8\c&HDC9C0B&\t(1000,2500,\c&HFFFF33&)}If this moment was for me
Dialogue: 2,0:01:22.12,0:01:25.97,OP3,,0000,0000,0000,,{\fad(600,1000)\blur0.8\pos(310,18)\c&H45A1D1&}I try to hear, lend my ear
Dialogue: 2,0:01:25.61,0:01:32.10,OP3,,0000,0000,0000,,{\fad(600,1000)\blur0.8\pos(870,18)\c&H503CB7&}Voices inside, one link to join it all
Dialogue: 2,0:01:31.74,0:01:33.52,OP3,,0000,0000,0000,,{\fad(600,1000)\blur0.8\c&H229FDA&}Again
Dialogue: 2,0:01:45.61,0:01:49.48,OP3,,0000,0000,0000,,{\fad(600,1000)\blur0.8\c&H840FF1&}'Cause I feel
Dialogue: 3,0:01:49.12,0:01:56.30,OP3,,0000,0000,0000,,{\fad(600,1000)\blur0.8\c&H64CADA&}I can always show my everything to you
Dialogue: 2,0:01:55.94,0:02:00.20,OP3,,0000,0000,0000,,{\fad(600,1000)\blur0.8\c&HC4C898&}If this moment was for me
Dialogue: 2,0:01:59.84,0:02:03.69,OP3,,0000,0000,0000,,{\fad(600,1000)\blur0.8\pos(310,18)\c&HD5D7D1&}I try to hear, lend my ear
Dialogue: 2,0:02:03.33,0:02:09.67,OP3,,0000,0000,0000,,{\fad(600,1000)\blur0.8\pos(870,18)\c&HE2E4E1&\t(3900,4000,\c&&H7AC4EF&&)}Voices inside, one link to join it all
Dialogue: 3,0:02:09.31,0:02:13.30,OP3,,0000,0000,0000,,{\fad(600,1000)\blur0.8\c&HA06FE4&}So it goes
Dialogue: 2,0:02:12.94,0:02:14.80,OP3,,0000,0000,0000,,{\fad(600,1000)\blur0.8\t(800,900,\c&HA6F4F8&)}Again
Dialogue: 0,0:02:25.12,0:02:29.00,Psychotitle,,0000,0000,0000,,{\blur0.8\shad2\fad(500,300)\c&HFFFDDD&\alpha&H30&\pos(951,65)}#13: Invitation from the Abyss
Dialogue: 0,0:17:17.22,0:17:20.51,md,,0000,0000,0000,,{\blur1\shad0.1\fscx78\fscy78\pos(580,507)\c&HDCDBD6&\4a&H80&\b1}Makishima Shougo                          {\c&H5C5B57&\4c&HFFFFFF&}Shibata Yukimori
Dialogue: 3,0:21:14.41,0:21:21.09,ED2top,,0000,0000,0000,,{\fad(2000,2000)\blur1.8}There's no way I could love anyone,
Dialogue: 0,0:21:14.41,0:21:21.09,ED2,,0000,0000,0000,,{\fad(280,0)\blur1.8}There's no way I could love anyone,
Dialogue: 3,0:21:21.09,0:21:27.89,ED2top,,0000,0000,0000,,{\fad(2000,2000)\blur1.8}but I wish to be loved by someone in turn
Dialogue: 0,0:21:21.09,0:21:27.89,ED2,,0000,0000,0000,,{\fad(0,500)\blur1.8}but I wish to be loved by someone in turn
Dialogue: 3,0:21:27.89,0:21:31.60,ED2top,,0000,0000,0000,,{\fad(1800,2000)\blur1.8}The world may not have
Dialogue: 0,0:21:27.89,0:21:31.60,ED2,,0000,0000,0000,,{\fad(180,300)\blur1.8}The world may not have
Dialogue: 3,0:21:31.60,0:21:34.77,ED2top,,0000,0000,0000,,{\fad(1200,1500)\blur1.8}ended yesterday after all,
Dialogue: 0,0:21:31.60,0:21:34.77,ED2,,0000,0000,0000,,{\fad(180,300)\blur1.8}ended yesterday after all,
Dialogue: 3,0:21:34.39,0:21:38.31,ED2top,,0000,0000,0000,,{\fad(1200,1500)\blur1.8\pos(1000,20)}but we will not budge
Dialogue: 0,0:21:34.39,0:21:38.31,ED2,,0000,0000,0000,,{\fad(180,300)\blur1.8\pos(1000,20)}but we will not budge
Dialogue: 3,0:21:38.31,0:21:41.19,ED2top,,0000,0000,0000,,{\fad(1200,1500)\blur1.8\pos(860,20)}from where we are
Dialogue: 0,0:21:38.31,0:21:41.19,ED2,,0000,0000,0000,,{\fad(180,300)\blur1.8\pos(860,20)}from where we are
Dialogue: 3,0:21:41.57,0:21:50.16,ED2top,,0000,0000,0000,,{\fad(2000,3000)\blur1.8\pos(810,20)}God, in favor of which parts have you left us?
Dialogue: 0,0:21:41.57,0:21:50.16,ED2,,0000,0000,0000,,{\fad(180,800)\blur1.8\pos(810,20)}God, in favor of which parts have you left us?
Dialogue: 3,0:21:50.58,0:21:53.83,ED2top,,0000,0000,0000,,{\fad(1200,1500)\blur1.8\pos(815,20)}I receive no reply
Dialogue: 0,0:21:50.58,0:21:53.83,ED2,,0000,0000,0000,,{\fad(180,300)\blur1.8\pos(815,20)}I receive no reply
Dialogue: 3,0:21:53.83,0:22:04.84,ED2top,,0000,0000,0000,,{\fad(2000,2000)\blur1.8\pos(200,640)}I never do
Dialogue: 0,0:21:53.83,0:22:04.84,ED2,,0000,0000,0000,,{\fad(180,500)\blur1.8\pos(200,640)}I never do
Dialogue: 3,0:22:05.09,0:22:06.97,ED2top,,0000,0000,0000,,{\fad(600,200)\blur1.8\pos(275,640)}Are you still here?
Dialogue: 0,0:22:05.09,0:22:06.97,ED2,,0000,0000,0000,,{\fad(180,300)\blur1.8\pos(275,640)}Are you still here?
Dialogue: 3,0:22:06.97,0:22:11.60,ED2top,,0000,0000,0000,,{\fad(1800,2000)\blur1.8\pos(330,640)}You'll never walk alone
Dialogue: 0,0:22:06.97,0:22:11.60,ED2,,0000,0000,0000,,{\fad(180,300)\blur1.8\pos(330,640)}You'll never walk alone
Dialogue: 3,0:22:11.60,0:22:15.14,ED2top,,0000,0000,0000,,{\fad(1200,1500)\blur1.8\pos(310,640)}I walk with you
Dialogue: 0,0:22:11.60,0:22:15.14,ED2,,0000,0000,0000,,{\fad(180,300)\blur1.8\pos(310,640)}I walk with you
Dialogue: 3,0:22:15.14,0:22:20.56,ED2top,,0000,0000,0000,,{\fad(2000,2000)\blur1.8\pos(340,640)}I will share all your sins
Dialogue: 0,0:22:15.14,0:22:20.56,ED2,,0000,0000,0000,,{\fad(180,300)\blur1.8\pos(340,640)}I will share all your sins
Dialogue: 3,0:22:20.56,0:22:27.40,ED2top,,0000,0000,0000,,{\fad(1800,2000)\blur1.8}I walk a trackless path
Dialogue: 0,0:22:20.56,0:22:27.40,ED2,,0000,0000,0000,,{\fad(180,300)\blur1.8}I walk a trackless path
Dialogue: 3,0:22:27.40,0:22:38.46,ED2top,,0000,0000,0000,,{\fad(1800,500)\blur1.8\pos(568,19)}All alone
Dialogue: 0,0:22:27.40,0:22:38.46,ED2,,0000,0000,0000,,{\fad(180,1000)\blur1.8\pos(568,19)}All alone
Dialogue: 3,0:22:34.16,0:22:38.46,ED2top,,0000,0000,0000,,{\fad(1200,500)\blur1.8\pos(715,19)}with you
Dialogue: 0,0:22:34.16,0:22:38.46,ED2,,0000,0000,0000,,{\fad(180,1000)\blur1.8\pos(715,19)}with you
Dialogue: 0,0:22:48.93,0:22:51.39,lt,,0000,0000,0000,,{\fs36\blur4.2\bord4.2\b1\3c&HC1DB64&\c&HC1DB64&\pos(640,128)\alpha&H50&\fscx110\fscy100}This is a world where the mental state and personal tendencies of humans can be quantified. \NWhile all sorts of inclinations are recorded and policed, these measured numbers used to judge people's souls are commonly called "Psycho-Pass".
Dialogue: 1,0:22:48.93,0:22:51.39,lt,,0000,0000,0000,,{\fs36\blur0.5\b1\c&HFFFFF6&\pos(640,128)\fscx110\fscy100}This is a world where the mental state and personal tendencies of humans can be quantified. \NWhile all sorts of inclinations are recorded and policed, these measured numbers used to judge people's souls are commonly called "Psycho-Pass".
Dialogue: 0,0:22:48.93,0:22:51.39,lt,,0000,0000,0000,,{\blur4\fs26\bord3\b1\3c&HC1DB64&\1c&HC1DB64&\pos(640,666)\alpha&H50&\fscx110\fscy100}This story is a work of fiction. The names of all individuals and organizations that appear \Nin this show are fictitious and any similarity to those in existence in the real world is purely coincidental.\N
Dialogue: 1,0:22:48.93,0:22:51.39,lt,,0000,0000,0000,,{\blur0.45\fs26\b1\c&HFFFFFF&\pos(640,666)\fscx110\fscy100}This story is a work of fiction. The names of all individuals and organizations that appear \Nin this show are fictitious and any similarity to those in existence in the real world is purely coincidental.